Martin has been candid about his frustration with how Game of Thrones had to handle this sequence, which was pivotal to the show’s larger story. Suffice to say that the depiction of these events is somewhat limited.Īuthor George R.R. His wounds prove fatal, causing a succession crisis that eventually plunges the realm into chaos. In the next episode, “You Win or You Die,” it is revealed that Robert was mauled by a boar. In “A Golden Crown,” King Robert Baratheon (Mark Addy) goes on a hunting trip. “Second of His Name” revisits another key set piece from the first season of Game of Thrones that was kept largely off-screen, likely largely for reasons of budget. This was evident even in the presentation of the tourney in “The Heirs of the Dragon,” compared to the tournament scenes in Game of Thrones episodes like “ Cripples, Bastards, and Broken Things” and “ The Wolf and the Lion.” One interesting consequence of this is that House of the Dragon can occasionally feel like a redrafting of the first season of Game of Thrones, borrowing a number of set pieces and ideas that can be more effectively realized at this higher budget level. Not for nothing did “ The Heirs of the Dragon” follow its title card with dragons swooping over King’s Landing. As such, there is very little that House of the Dragon can’t afford to show on screen. While that is appreciably lower than the reported $30M-per-episode budget of Stranger Things, it is still a sizable chunk of change. The first season reportedly has a budget upward of $20M per episode. Given that House of the Dragon is following Game of Thrones, it does not have the same limitations.
Daenerys’ (Emilia Clarke) dragon eggs only hatch at the very end of the season finale, “Fire and Blood.” Also in “Baelor,” Tyrion Lannister (Peter Dinklage) is conveniently knocked out right before the Battle of the Green Fork, thus saving the show the expense of depicting the combat on screen. These limitations are obvious when watching the first season, where the production team is very aware of what it can and cannot afford to show. “But at this stage in season one, no one had seen the show yet, we didn’t know if it had an audience yet, and we didn’t have a dime.” “It’s funny seeing how small and rinky dink the scene is because Game of Thrones has gone on to become very well-funded by HBO,” he told Vanity Fair. While the infamously aborted pilot reportedly cost $10M, it seems safe to assume the first season’s per-episode budget was comparatively lower.Ī couple of years ago, director Alan Taylor looked back on an iconic scene from the first season’s penultimate episode, “Baelor,” in which Ned Stark (Sean Bean) is executed. Its budget would balloon in its later years, with the final season reportedly budgeted at $15M per episode, almost twice the $6M per episode reported between the third and fourth and the fourth and fifth seasons. Game of Thrones would eventually become a cultural phenomenon. It was also different from the seasons that would follow. Even rewatched today, the first season of Game of Thrones feels like a bold statement of purpose, something remarkably different from anything on television around it.
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It provided a solid foundation for the series that would follow, catching the public’s attention and demonstrating the potential of a mass-market fantasy adaptation as a weekly television show. Obviously, the first season of Game of Thrones was a massive success. In some ways, House of the Dragon feels like an attempt to revisit the first season of Game of Thrones. This discussion and review contains spoilers for House of the Dragon episode 3, “Second of His Name,” on HBO.
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